Our Cambridge School of Art Course Leaders have put together a list of recommended resources and materials to help you get ARU-ready before your course starts in September.
Please bear in mind these are all recommendations. You are not required to purchase any of these materials or read all the resources before your course starts. Once you are fully registered, you'll be able to access a few of these resources from our online library as well. So take your time - you're not expected to access them before you register.
Materials list for Animation and Illustration - Course-specific requirements
The following equipment is recommended if you want to work from home. You will have access to Microsoft Office 365 and Adobe Creative Cloud and good access to PCs and Macs and drawing tablets on campus so this is not a requirement.
For more information see specific technical requirements.
On campus, you fill find all the material you need to fully engage with your course, but, if you want you can try and do the following during the summer:
Most of all, come in September, ready to learn and to say YES to all opportunities; we have lots of exciting projects for you!
You will find all the resources you need on campus, but you may want your own laptop for homeworking. For more information, see our specific technical requirements.
Other than that immersive yourself in your inspirations in the fashion world! Why not start with our conversation with Anya Hindmarch on The Future of Luxury: sustainability and retail?
Here is a list of recommended tools you will need as you start your course. You will use most of these throughout your degree and beyond graduation. All the books recommended for your course throughout your degree are available in the University library.
Suggested sources: Morplan / Amazon (Student discounts available)
Product: Pattern Master (metric)
Description: A ruler used for pattern cutting and adding seam allowance
Approx cost (subject to change): £23.95
Product: Tape Measure
Description: Measuring
Approx cost (subject to change): £0.99
Product: 1 meter rule
Description: For pattern cutting large patterns (Perspex)
Approx cost (subject to change): £18.95
Product: Tracing wheel
Description: Re-patterning - tracing patterns
Approx cost (subject to change): £9.25
Product: Varyform Curve
Description: Pattern drafting
Approx cost (subject to change): £14.95
Product: Graders Set square
Description: Pattern drafting
Approx cost (subject to change): £15.95
Product: French curves
Description: Pattern drafting (set)
Approx cost (subject to change): £3.59
Product: Flexicurve
Description: Pattern drafting
Approx cost (subject to change): £6.95
Product: Tailors chalk
Description: For marking out patterns onto fabric (box of 50)
Approx cost (subject to change): £9.25
Product: Awl
Description: Used to make holes and pattern manipulation
Approx cost (subject to change): £2.79
Product: Pattern Notcher
Description: Mark notches in patterns/blocks
Approx cost (subject to change): £19.95
Product: Pattern drill
Description: Creates neat, 4mm dart holes
Approx cost (subject to change): £8.95
Product: Pins
Description: Pinning for toiling, during manufacture
Approx cost (subject to change): £4.50
Product: Pin Cushion
Description: Manufacturing of garments
Approx cost (subject to change): £4.35
Product: Stitch unpicker
Description: Unpicking stitches
Approx cost (subject to change): £0.89
Product: Tailor shears
Description: Fabric use only (Wilkinson 25 cm)
Approx cost (subject to change): £42.95
Product: General purpose scissors and small scissors
Description: General use and manufacturing - as a pack
Approx cost (subject to change): £12.50
Product: Propelling pencil (2H,0.5mm leads)
Description: Pattern drafting/technical drawing/illustration
Approx cost (subject to change): £2.41
Product: Pencils HB, 2B
Description: Drawing (pack of 12)
Approx cost (subject to change): £1.29
Product: Coloured pencils
Description: Drawing/illustration (as a set)
Approx cost (subject to change): £10.75
Product: Mapac Clear Project Bag A3
Description: Clear plastic folio for transporting patterns and other work to studio and to submit work
Approx cost (subject to change): £2.99
Product: Masking Tape
Description: Pattern cutting manipulation
Approx cost (subject to change): £1.09
Product: Fine Tipped Pens
Description: Technical drawing and fashion illustration, e.g. Pilot box of 12 (or buy as a single item)
Approx cost (subject to change): £22.95 (box of 12)
Product: Eraser
Description: Technical drawing and fashion illustration
Approx cost (subject to change): £0.79
Product: Pritt stick glue
Description: General use
Approx cost (subject to change): £1.39
Product: Scalpel / craft knife
Description: General use
Approx cost (subject to change): £2.09
Product: Hand sewing needles
Description: General use
Approx cost (subject to change): £0.69
Start a small sketchbook (either A6, A5 or A4) and visit an exhibition, and make a few pages of drawings/notes on what you see, including some thumbnail studies of artworks.
Try to make each page interesting as an artistic statement in itself, thinking about composition, editing, mark-making, negative space, etc.
Drawing "thumbnail studies" of individual artworks may help animate each page and enhance your understanding of each work. (See below for some examples of lively studies of artworks based on a museum visit).
Please write details of the exhibition, location and individual artworks alongside, and please also include a short reflective comment on what you have learnt from each artwork / artist, identifying where their interests might lie, and to start understanding their thoughts about art.
The exhibition can be in a local art museum or gallery near where you live, and could be as part of a trip to Cambridge or London.
Larger museums and galleries currently require visitors to book in before visiting, via the gallery website.
Please remember the excellent range of free exhibitions which are available to see in different locations, such as Tate Modern or Tate Britain in London, or the Fitzwilliam Museum or Kettle’s Yard in Cambridge.
The New Exhibitions website will be a helpful point of reference when planning a trip to a gallery.
Michael Archer – Art Since 1960
This book is a key text which we use when teaching the course, so we suggest that you buy a copy. You might prefer to get a good quality used copy, as these are much more affordable.
Please read chapters 1, 2 and 3:
Here are some more recommended books that you can buy, or find in the ARU library.
Key websites that will be a very useful resource when you're researching artists and exhibitions:
Websites for local galleries and art organisations in the Cambridge area:
Please purchase these materials before arriving - they will provide your basic needs for studying the practical modules on our BA Fine Art course.
Art storage
These may be be useful for your studio work:
The following equipment and is recommended for home working while studying the course.
You will have access to Microsoft Office 365 and Adobe Creative Cloud and good access to PCs and Macs on campus, so this is not a requirement.
Note: you may also need to purchase further materials for working on-campus such as A2/A3 black zip-up plastic leaf portfolio, storage boxes, clear wallets, plastic A4 sleeves and black binders etc.
The following equipment and is recommended for home working while studying the course.
Although you can find computers and model-making tools on campus, you may also find it useful to have your own equipment for working on projects from home.
In terms of books, these two are great introductions to interior design. However, please do not feel obliged to purchase them or read them before your course starts. Both are completely voluntary, and you'll be able to get them from the library once fully registered and on campus.
You will find all the photography resources you need on campus, but you may want your own laptop for homeworking. For more information, see our specific technical requirements.
You’ll be able to access e-books once you register. When you’ve done that you might want to look at the introduction of Photography: a critical introduction, by Liz Wells (6th ed., 2021).
Also, if you are local to Cambridge and can get to Kettle’s Yard, it’s worth visiting the Howardena Pindell exhibition. Or do go in your first few weeks at ARU, as we will be experimenting with similar techniques. It will also be useful for your Photographic Practice and Context module, as her work conveys themes of racism, feminism, violence, slavery, and exploitation.